Tag Archives: Exclusive Interview

Park Hyatt Tokyo: Meeting with Philippe Roux-Dessarps

The lift stops at the 52nd  floor,

I’m heading for the New York Bar. Yes, the smart bar of Sofia Coppola’s « Lost of Translation » (pictures 1 & 2)!

Jazzy atmosphere, fascinating hypnotic view from the sky of an endlessly Tokyo, the feeling is unreal. In the penumbra enhanced with indirect lights, a smiling waitress leads me.

I have a meeting with Philippe Roux-Dessarps, the General Manager of the Park Haytt Tokyo that occupies the top 14 floors of the Shinjuku Park Tower (last picture), designed by the famous Kenzo Tange, father of modern Japanese architecture. 

  Everyday I ask my team : how did you surprise a client today? 

We have varied customers (50% are leisure customers), lots of regular customers looking for a particular atmosphere and enjoying the intimacy of the hotel.

– Can you explain why we feel like in a cocoon in the Park Hyatt Tokyo?

– The staff humility. And we have few rooms : with 178 rooms, the hotel is intimate by Asian standards. And we don’t have a business atmosphere. The timeless design too : the Park Hyatt Tokyo has been an established hotel for 16 years. John Morford designed the interiors to feel like in a small elegant, personal, residence.

–  What is your next goal?

– Staying open to the next generations too. Staying modern without becoming gadget!

Here are the pictures of my favorite spaces.

At the 40th floor, I really enjoy the delicious Japanese cooking and the fantastic view of Fuji San, in Kozue restaurant (picture 3). I had a big crush on the superb earthenware plates and dishes created by craftsmen throughout Japan.

Peaceful atmosphere in the Library: a choice of 2000 books about arts, history, cultures and dictionaries (picture 4). Where the light is magic in late afternoon, when the sun falls down behind Fuji San (pictures above & below).  

Great details: reproductions of Fellini’s draws

in the cozy corridors leading to the rooms, spa and swimming pool (picture above & below).

At the 47th floor, the 65 feet (20 meters) swimming pool 

At least a hotel swimming pool where we can swim… looking down on Tokyo, with a sunrise or sunset light : exhilarating! 

In the Spa I could stay hours and hours, between whirlpools, wet and dry saunas, cold plunge pools and 360 degree body showers… treatment rooms and relaxation rooms, with in the background the panoramic view (picture below).

Every single detail is tidily thought: from the excellent Australian products ASEOP, to the ladies razors in the showers, to stay perfect in the country of the perfection.

Informations 

www.park.hyatt.com 

Many thanks to Philippe Roux-Dessarps.  

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City guide Tokyo : DESTINATIONS & HOTEL REVIEWS 

Meeting Gilbert & George in BOZAR Brussels

Bubbling Meeting With Gilbert & George

The two blockbusters of contemporary art exhit in BOZAR museum, “Jack Freak Pictures”. BOZAR is defenetely a hotspot for astute exhibitions. I’m late as usual. In the big hall, journalists watch the pictures. Paul Dujardin, the museum director, anwsers a TV. And Gilbert & George? Sat on a bench in the middle of the big hall. The impassive duet chats with journalists. I quickly review the pictures and head for the phlegmatic gentlemen and invite them to strike the pose in front one of their work of art. Then…

– Today contemporary art? Everybody loves contemporary art …   

G & G: Yes, even in hairdressing salon, you find « contemporary art »! We’re not following the contemporary art. We are not a part of any movement. We are an artist. Two people, one artist.   

– How does it work? I mean the creative process?        

G & G: It’s a magical system (smiles). Schizophrenic. To be an artist, you need to believe you are an artist. You need confidence.

– Provocation?

G & G: Yes, without provocation, art is totally boring. Mais il faut aussi que l’œuvre soit accessible.  

– What does it mean for you being a successfull artist? Congratulation for lasting all those years, usually after being famous people split?     

G & G (surprised): No no we are an artist. We don’t need things. We take our breakfast in the cheapest place in the world (smiles) and spend most of the time in the atelier.    

– Do you consider yourselves as a Brit artist?      

G & G: No! George is British. Gilbert is from the Dolomiti. Do you know Spiterfield? We live there, people came from all over the world. Many different nationalities.

– Inspiration?

G & G: Close your eyes, look Inside.

Thank you Gilbert & George! And the approachable aristocratic duet has already gone answering new journalists in other halls. The first hall is empty now and I can dicover the exhibition alone. GO TO BOZAR AND ENJOY! For all informations about the exhibition, click here.

Related posts :  INTERVIEWS & CULTURE

ELLE Belgique: Meeting Bea Ercolini

Brussels, Tour et Taxis, the Spullhenulp fashion show is ending. The retro smart silhouette of Bea Ercolini, the ELLE Belgique / ELLE België director, lights a cigarillo. Few blur pictures in the 40’s vintage spirit. We  quickly organize a cosy corner between the backstage’s back and forth. 

– It’s the eighteenth edition of the Spullhenulp fashion show and the first time I come. The set is magnificent Great casting and fantastic designs, but we can’t see well the clothes. They did a great job, I’ve really enjoyed the African fabrics clothes, with printed leggings. I know 40% of the fashion designers of this event : I love Conni Kaminski, Cathy Pill, Véronique Branquinho… The only problem: the hall is huge.

– So what do you think of the last fashion shows (Spring-Sum 2011)?

It might look like the crisis ends: many parties, champagne and colours. And the “mamie boom” (granny boom), with the come back of Ines de la Fressange, Marie-Sophie, Stella Tennant. The fifties years old  woman. The average buyer of a Chanel suit isn’t fifteen years old! Thanks my century!  

Bea Ercolini smokes and smiles: 

– I’ve noticed during the Paris shows the second « tribe » was the Belgians. Many Belgian  fashion designers and organizers of the fashion shows, like Etienne Russo in charge of  Chanel, Hermès, Margiela shows… I love Véronique Leroy, she is respectful and humble. Jean-Paul Lespagnard. It’s not normal: too much Begian work in fashion!

– How do you explain this?

– Less money, so more resourceful. And here in Belgium, schools are public and almost free, with a high level, like La Cambre in  Brussels. 

– Is there any Brussels specificity?

– Brussels is a bit the New York of Europe. Brussels has developped a tolerance culture, it’s a place for creation. Brussels is also a rich city, where you can find lots of  garage sales and seconde hand things (with good quality and cheap prices), like at the Spullhenulp shop. Conversely the vintage of famous brands in Paris is too expensive.  

– What do you think of the Fashion-Design-Art Contemporary “melting pot”? 

– A marketing purpose. From the survey of my colleagues of the Brit ELLE, 68% of the ELLE readers interested in fashion, spend time in Art Contemporary fairs, FIAC etc… In Belgium, students in design, fashion and art go to the same schools.

– ELLE Belgique as a fashion magazine… 

– No, not a fashion magazine, a feminine magazine! 

– I finish: what do you think of the “blogs phenomenon”? 

I’ve started the ELLE Belgique blog four years ago. Next january, I will be in charge of the contents of the ELLE Belgique website and blog. This website will become a feminine daily, with more balance between the different sections, presenting all the Belgian news. I am delighted to change for daily journalism. The paper magazine will be the Haute Couture of the press: a very expensive window, but essential to keep a strong image. The paper magazine will yield less and less. Today, I overdo to read magazines, while I can spend on Internet hours. And I’m very surprised of the success of magazines like Envy, Grazzia, Be… my forteen years old daughter reads . I thought it was over. But for her generation, they trust more the news in a magazine than in the net. 

Thanks Béa Ercolini.   

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Rencontre avec Jean-Paul Knott, créateur globe-trotteur  

   

INTERVIEWS